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Tina Frühauf Tina Frühauf Répertoire International de Littérature Musicale (RILM)

Répertoire International de Littérature Musicale (RILM)
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Vinny Fuerst

Birchwood Music Publishing
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Mr. Kimo Furumoto

Huntington Symphony Orchestra
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Member Bio Maestro Kimo Furumoto has recently joined the faculty of California State University - Fullerton. Prior to joining the faculty at the Fullerton campus, Furumoto served as Orchestra Director and Music Director for the Opera Theatre at the Ohio University School of Music. He has served as the Assistant Conductor of the Lyric Mountain Festival for the Performing Arts and as Assistant Conductor of the Lexington Philharmonic. His guest conductor appearances include the Chapman Symphony Orchestra, the Cincinnati Chamber Orchestra and the Kurpfalzisches Kammerorchester of Mannheim, Germany. Maestro Furumoto has also served as Music Director of the Concert Orchestra at the University of Cincinnati, College- Conservatory of Music. During his tenure, he conducted a concert at the critically acclaimed Mass-in-Concert series held at New York's Lincoln Center for the Performing Arts in conjunction with the Mozart Bicentennial. After completing a one-year intern position as Conducting Assistant with the Cincinnati Symphony Orchestra in 1988, he was invited to return as guest assistant conductor. In addition, he has served as Associate Conductor of the Cincinnati Symphony Youth Orchestra and Assistant Conductor of the Cincinnati Chamber Orchestra with Boston Pops conductor, Keith Lockhart. Kimo Furumoto holds conducting degrees from Chapman University and the University of Cincinnati, College-Conservatory of Music. He has studied under Leonard Bernstein, Robert Shaw, Gerhard Samuel and John Koshak.
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Alison Gaines

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Member Bio Alison holds a Doctoral degree in orchestral conducting from the University of Kansas, Lawrence and a Master’s degree from U.S.C., Los Angeles in bass performance. Her professional conducting experience includes music director positions, assistant conductor positions, has been a conductor of youth symphonies, and has guest conducted various professional groups including 10 years as conductor of Brass Night and on various chamber concerts at the Breckenridge, CO summer music festival. Her academic conducting experience includes a year as interim Director of Orchestra at Iowa State and for Rock Valley College, IL and for 4 years as conductor of the chamber orchestra at Illinois’ largest college, the College of DuPage. In addition, she has served as a clinician and guest conductor for music associations throughout the Midwest and for the Chicago Bass Festival. During her doctoral studies she received assistantships from both the orchestral and jazz departments where she worked and studied with British conductor, keyboardist and recording artist Brian Priestman and with jazz educator, arranger and composer Dan Gailey. She has also received fellowships and won positions for conducting seminars through the League of American Orchestras, Chorus America, the Conductor’s Institutes in South Carolina (in opera) and at Bard College, NY. Her performance experience as a bassist includes serving full-time as principal in Tulsa, OK (8 years), a Tanglewood fellowship, an Aspen Music Festival scholarship, was co -principal with the National Repertory Orchestra for 2 summers and won a substitute audition with the St. Louis Symphony. She has also performed chamber music in the United States and in Europe and has been a featured soloist with the National Repertory Orchestra, Tulsa Philharmonic, Breckenridge, CO Festival, and Rockford, IL Symphony.
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Tom Gaitens

Fine Arts Software
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Kevin Galiè

Ensemble Adriatico, Inc.
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Member Bio Maestro Galiè divides his time concertizing internationally, e.g. Boston, Munich and Italy (Ascoli Piceno), Asia. He is a Dual Citizen: U.S.A./Italy. Fluency: English, German, Italian, Spanish. Areas: classical ballet accompanying/directing/arranging, and choral/organ music directing. Recordings: ballet re-orchestrations/ conducting La Bayadère, Le Corsaire, Sleeping Beauty (Prologue/Variations) Laurentia (Pas de Six), Paquita and Swan Lake (Evergreen orchestra, Taipei). 12 million streamings in 2024/ 120,000 weekly. 2019-2023 residence Munich, Germany. Boston Symphony Orchestra organist 1997-2003. Director PSJS national men's schola 1999-2019. Director MIT Women’s Chorale 2008-2019. Director/Founder Coro-Dante 2007- 2019, Harvard Ballet Company and Orchestra 1990-2000. h he founded. He previously had been music director of the Harvard Ballet Company for 10 years. Kevin Galiè holds a Bachelor of Arts/Bachelor of Science from Boston University in Computer Science and Music, a Juris Doctorate from Boston University Law School and a Masters of Music in Organ, Choral and Orchestral Conducting from the Boston Conservatory of Music (Atilio Poto/Allen Lannom, David Christie). Kevin Galiè divides his time between Boston, Munich and Italy, conducting and playing performances. He is a Dual Citizen of the U.S.A. and Italy, fluent in English, German and Italian. His main two areas of music are classical ballet accompanying/directing/arranging, and choral/organ music directing and performing. His recordings conducting his ballet re-orchestrations in conjunction with Anna-Marie Holmes, of La Bayadère, Le Corsaire, Laurentia (Pas de Six), Paquita and non-reorchestrated Tchaikowsky Swan Lake (Evergreen Orchestra, Taipei), currently 9 million downloads, average worldwide weekly streaming 90,000 . Coming soon from his January 2024 sessions are the first full-length Paquita recording (arranged/orchestrated by Mr. Galiè), and the first definitive Mariinsky 1896 version full-length recording of Swan Lake. Before leaving for Germany in 2019 he had been organist with the Boston Symphony Orchestra for 10 years, conductor / lecturer at the PSJS National Seminary and Men’s chorus in Weston (20 years) , Conductor of the 65-voice MIT Women’s Chorale (11 years), and the all-Italian repertoire Coro-Dante (13 years), which he founded. He previously had been music director of the Harvard Ballet Company (10 years). January 2024, completed a new orchestral recording of ballet music: “Paquita” a 3-Act Ballet, music by Édouard Deldevez, in a newly-choreographed version by Anna-Marie Holmes (currently in post-production, available Spring 2024) The music was restored and arranged by Kevin Galiè, who conducted the Evergreen Symphony Orchestra, of Taipei, Taiwan. The Evergreen Symphony Orchestra (ESO; Chinese: 長榮交響樂團; pinyin: Chángróng Jiāoxiǎng Yuètuán) is aTaiwanese orchestra founded by Chang Yung-Fa Foundation of Evergreen Group in 2001. This is the first professional audio recording of a full-length Paquita; several recordings of the 3rd act already exist. Anna-Marie Holmes’ choreography will premiere in Tokyo, Japan, March 2024 with the Japan Ballet Association. January 2024, recorded Swan Lake: a 4-Act Ballet, music by Pyotr Ilyich Tchaikowsky (1896 Mariinsky version.) This is the first professional recording of the ballet version of Swan Lake with correct dancer tempi, complete with all original cuts and interpolations from the 1896 Mariinsky Theatre. Artistic assistance by 81 year-old Canadian Ballerina Anna-Marie Holmes, protégé of Natalia Dudinskaya. 2024 is the 3rd collaboration between Kevin Galiè conductor/arranger, the Evergreen Symphony Orchestra of Taipei, Taiwan, and Anna-Marie Holmes, choreographer, former artistic director of Boston Ballet, former Canadian Ballerina of the Kirov Ballet, St. Petersburg, Russia (1962-64), and protégé of legendary Russian Ballerina, Natalia Dudinskaya https://en.wikipedia.org/wiki/Natalia_Dudinskaya. Two previous collaborations (Galiè/Holmes/Evergreen): 2011, complete ballet Le Corsaire, and Laurencia Pas de Six; 2017, complete ballet La Bayadère, and Tchaikowsky’s Sleeping Beauty: Aurora’s Wedding, have accumulated over 9 million streamings, and currently (before publishing of January 2024 recordings) average approximately 90,000 weekly worldwide downloads (Spotify, Itunes, Apple Music, Amazon, YouTube, etc.) BOSTON UNIVERSITY (B.S.-B.A.) Major in Management Information Systems, Minor in Music: Norman Dello Joio, BOSTON UNIVERSITY (Juris Doctor) THE BOSTON CONSERVATORY/BERKLEE (M. Mus.) Master’s Degree of Music: Atilio Poto, Orchestral Conducting; Alan Lannom, Choral Conducting; James David Christie, Organ.
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Juliane Gallant

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Member Bio New Brunswick-born Juliane Gallant is the Resident Conductor of the Calgary Philharmonic. Since relocating to Canada from the UK in 2021, she has appeared as a guest conductor with the National Arts Centre Orchestra, Victoria Symphony, PEI Symphony Orchestra, Okanagan Symphony Orchestra, Kingston Symphony Orchestra, and Symphony New Brunswick. She has also worked as an assistant and cover conductor with the Hamilton Philharmonic Orchestra, Regina Symphony Orchestra, and Kamloops Symphony Orchestra,. ​ A passionate collaborator, Juliane first trained as a collaborative pianist, répétiteur, and vocal coach, and began her conducting career in opera, leading productions throughout the UK for Gothic Opera (Le loup-garou/Le dernier sorcier), Hampstead Garden Opera (La bohème), King’s Head Theatre (Carmen, Tosca), Opera on Location (L’enfant prodigue, Cinderella, La Traviata, Don Giovanni, Carmen), St Paul’s Opera (Così fan tutte, Orphée aux enfers), Opera Upclose (Carmen, Music oft hath such a charm, Ulla’s Odyssey), and Opera MIO (A Fantastic Bohemian: The Tales of Hoffmann revisited). In 2021, she made her Royal Opera House conducting debut in Mami Wata in collaboration with Pegasus Opera. In Canada, she was Music Director for Eugene Onegin at the Highlands Opera Studio, and conducted a performance of Nicole Lizée’s R.U.R. A Torrent of Light in her capacity of Assistant Conductor with Tapestry Opera. ​ A strong believer in music as a vehicle for joy and human connection, Juliane worked extensively on community outreach and education projects during her time in the UK. With Opera Holland Park, she explored opera in schools, with residents of care homes, with communities of refugees, and with people living with physical and mental disabilities. With Lost Chord, she brought music to people living with dementia across Yorkshire. With Baseless Fabric, she led interactive opera workshops in schools in underserved London boroughs. Juliane was one of two conductors in the inaugural cohort of Tapestry Opera’s Women in Musical Leadership program. ​ She is a graduate of the National Opera Studio, the Guildhall School of Music and Drama, the Conservatoire de musique et d’art dramatique de Montréal, the University of Ottawa, and the Université de Moncton. In London, She was selected for the first Women Conductors Course: Conducting for Opera, run by the Royal Opera House, the National Opera Studio, and the Royal Philharmonic Society, and has received continued support from the Royal Opera House throughout her training. She has participated in conducting masterclasses with the Toronto Symphony Orchestra, the Buffalo Philharmonic and the Winnipeg Symphony. She has received funding from the Opera Awards Foundations, Canada Council for the Arts, and NB Arts. Her conducting mentors include Karen Kamensek, JoAnn Falletta, and Rosemary Thomson.
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Thomas Gamboa

University of Wisconsin-Milwaukee
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Member Bio Dr. Thomas Gamboa holds a Bachelor of Arts from UCLA in Music Education and Performance in bassoon, a Master of Music in wind conducting from Northwestern University where he studied with Mallory Thompson, and a Doctor of Musical Arts in wind conducting from the University of Michigan where he studied with Michael Haithcock. He was a conductor for the United States Air Force Band where he held the rank of Captain and was stationed at Robins Air Force Base in Georgia and Ramstein Air Base, Germany. Dr. Gamboa taught at the College-Conservatory of Music at the University of Cincinnati holding the position of Assistant Professor of Music and Assistant Director of Wind Studies. He is currently the Director of University Bands and Assistant Professor of Music at the University of Wisconsin-Milwaukee’s Peck School of the Arts. At UW-Milwaukee, Dr. Gamboa will oversee all aspects of the band program, guide the graduate wind conducting area, and serve as conductor of the Wind Ensemble, the University’s premier wind band.
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Dylan Garcia

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Eric Garcia

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Member Bio Eric Garcia is Music Director of the Boise Philharmonic and Artistic Director and Conductor of the McCall Music Society SummerFest. Garcia previously served as Assistant Conductor of the Seattle Symphony, conducting subscription, education, pops, and community concerts. He served as producer for recordings on the Naxos label and conductor for Brandi Carlile’s acclaimed Columbia Records release: Live at Benaroya Hall with the Seattle Symphony. He has collaborated with such esteemed artists as Marvin Hamlisch, Herbie Hancock, Cirque de la Symphonie, Pink Martini, The Chieftains, Assad Brothers, and Indigo Girls. Garcia has served as Associate Conductor of the Eastern Music Festival and cover conductor of the Pittsburgh Symphony Orchestra. He has served as guest conductor with Symphony New Hampshire, Oklahoma City Ballet, Oklahoma City Philharmonic, Octava Chamber Orchestra, Orchestra Seattle, Philharmonia Northwest, Rainier Symphony, Northwest Festival Orchestra, Greensboro Ballet, Elmhurst Symphony Orchestra, Northwest Boychoir, Pacific Youth Choir, Seattle Chamber Singers and Vocalpoint Seattle. An avid supporter of contemporary music, Garcia has collaborated with such esteemed composers as John Adams, Sergio Assad, George Crumb, Frank Ferko, David Lang, Lowell Lieberman, Nico Muhly, Eric Nathan, and Jay Alan Yim. In addition, Garcia has served as principal conductor at the Cortona Sessions for New Music in Cortona, Italy. Garcia was a member of the American Academy of Conducting at the Aspen Music Festival and School, where he studied with James Conlon, Nicholas Kraemer, Murry Sidlin, Leonard Slatkin and David Zinman. At Aspen, he worked with the Susan and Ford Schumann Center for Composition Studies and the Aspen Opera Theatre Center. Garcia was also a recipient of the Bruno Walter Foundation Scholarship at the Cabrillo Festival of Contemporary Music, where he studied with Marin Alsop. His principal conducting teacher is Victor Yampolsky. Additional conducting teachers include Peter Bay, Dan Lewis, Gustav Meier, and Larry Rachleff. Garcia received a Doctorate of Music and Master of Music in Orchestral Conducting from Northwestern University. He received a bachelor’s degree in Music Theory from the University of Texas at Austin.
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