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Andres Lopera

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Member Bio Dynamic, imaginative, and deeply committed to his community, conductor Andres Lopera enters his debut season as Music Director of Indiana's Richmond Symphony Orchestra. A trailblazing Latin American conductor in the US, Lopera has led prestigious orchestras across the Americas for over a decade. Currently in his fifth season as Associate Conductor of the Columbus Symphony Orchestra and Music Director of the Columbus Symphony Youth Orchestras, Lopera has conducted performances with orchestras such as the Colorado Symphony, Oregon Symphony, Toledo Symphony, New World Symphony, and Williamsburg Symphony Orchestra, among others. Lopera has also appeared in a number of summer festivals, including the inaugural year of New England Conservatory’s Summer Orchestra Institute in 2019. Other engagements include the Cabrillo Music Festival, National Repertory Orchestra and the internationally renowned Orchestra of the Americas. He has also collaborated with the Los Angeles Philharmonic, covering concerts led by Gustavo Dudamel and Carlos Miguel Prieto. Internationally, Lopera has conducted the Xalapa Symphony Orchestra, EAFIT Symphony Orchestra, and Colombia's National Symphony Orchestra. In addition, he has fostered musical connections across Central and South America, collaborating with both professional and youth orchestras in Brazil, Uruguay, Argentina, and Honduras. In June 2012, Lopera was appointed Music Director of the Metropolitan Youth Symphony in Portland, OR, where he oversaw a program with more than 450 students, 12 ensembles, and 10 conducting staff. In recognition of his contributions to Portland, he received the Portland Monthly Award, Rising Star Award, and the Hispanic Metropolitan Chamber Bravo Award. Additional honors include the Orgullo Colombiano Award and Egresados Que Inspiran from EAFIT University. Born in Don Matias Antioquia, nestled in Colombia's Andes Mountains, Lopera, the only musician in a family of seven, found his passion in music's universal language. In his leisure time he enjoys hiking in nature and spending time with family.
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Renée Anne Louprette

Bard College
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Member Bio Renée Anne Louprette is director of the Bard College Baroque Ensemble. She received her Master’s degree in conducting from Bard College in 2019 and was then appointed Assistant Professor of Music and College Organist at Bard. She has been Organ Area Coordinator at Mason Gross School of the Arts and University Organist at Rutgers University since 2013. She concurrently maintains an international career as organ recitalist, collaborative keyboardist, conductor, and teacher. She has previously held teaching positions at the Manhattan School of Music, The Hartt School of the University of Hartford, and the John J. Cali School of Music at Montclair State University. In New York City, Louprette has served as Associate Director of Music at the Church of St. Ignatius Loyola, Associate Director of Music and the Arts at Trinity Wall Street, Organist and Associate Director at the Unitarian Church of All Souls, and Director of Music at the Church of Notre Dame. As organ recitalist, Louprette recently made her debuts at the Royal Festival Hall in London, Walt Disney Concert Hall in Los Angeles, the Cathedral of Notre Dame in Paris, and in collaboration with the American Brass Quintet at Church of the Ascension in New York. She has released two solo recordings of music of J. S. Bach and 20th-century French organ masterworks to critical acclaim.
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Jason Love

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Member Bio Conductor and cellist Jason Love leads the Columbia Orchestra in his twenty-fourth year as Music Director, the fourth person to have held that post in its forty-five seasons. Praised for his “intelligent and innovative programming,” the Baltimore Sun has called the orchestra “Howard County’s premier ensemble for instrumental music,” noting that “Love has the musicians playing not only with verve and passion, but with an awareness to enter into the emotional core of the works they perform.” He has received many recognitions including the American Prize for Orchestral Programming, a Peabody Alumni Award for Outstanding Contributions to Music in Maryland, and a “Howie” Award recognizing achievement in the arts in Howard County, Maryland. Love was Artistic Director of the Greater Baltimore Youth Orchestras (now the Baltimore Symphony Youth Orchestras) for thirteen years, and Music Director of the New Horizons Chamber Ensemble, a new-music group, for five. He has guest conducted a wide variety of ensembles such as the Baltimore Symphony, Washington Sinfonietta, Hopkins Chamber Orchestra, Bismarck-Mandan Symphony, Maryland Classic Youth Chamber Orchestra, and RUCKUS, a contemporary music ensemble at the University of Maryland, Baltimore County where he taught conducting for seven years. As a cellist Mr. Love has performed a wide array of concertos with orchestras. In 2019 he gave the U.S. premiere of Guillaume Connesson's Cello Concerto and previously played the North Carolina premiere of Tan Dun’s multi-media concerto, The Map. In recent seasons he has performed Shostakovich’s Concerto No. 1 with Piedmont Symphony, the Dvořák Concerto with the Frederick Symphony, and concertos by Haydn and Boccherini with the Columbia Summer Strings. His many chamber recitals include work with the Columbia Orchestra Piano Trio featuring Concertmaster Brenda Anna and pianist Nancy Smith, and the Franklin-Love Duo with pianist Rachel Franklin. A highly respected educator, Mr. Love spends part of each summer conducting at the Baltimore String Orchestra Camp and recently joined the faculty of Play Week Maryland. In his eleven years on the faculty of the Governor’s School of North Carolina he taught Twentieth-Century music, philosophy, and other subjects to academically gifted high school students. He led the McDaniel Orchestra Camp in Westminster, MD for five years and conducted the Repertory Orchestra of the Chesapeake Youth Symphony in Annapolis, MD for four. He has adjudicated and guest conducted at music festivals around the country. Born in Burlington, North Carolina, Love studied violoncello with Ronald Thomas and conducting with Frederik Prausnitz at the Peabody Conservatory. He is a Past President of the Peabody Alumni Association. His website is www.jasonlovemusic.com.
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Dr. Matthew Lovelace

Fort Worth Medical Orchestra
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Member Bio Matthew Lovelace currently serves as Director of Orchestras at The Colony High School in Lewisville ISD. He is a student of Dr. Germán Gutiérrez at Texas Christian University and will graduate with a Doctor of Musical Arts in Orchestral Conducting in May. He also serves as the inaugural conductor of the Fort Worth Medical Orchestra, the first ensemble of its type in the DFW area, dedicated to connecting those in the medical profession through music. He was named a finalist for the 2021 American Prize in Conducting – College/University Orchestra Division. He previously served as Music Director for Texas Hill Country Opera and Arts where he conducted annual performances of the company’s New Year’s Eve production of Die Fledermaus. Additionally, he conducted the world premiere of the chamber version of the one act opera Lady Bird: First Lady of the Land by composer Henry Mollicone and librettist Sheldon Harnick. Before attending TCU, he was a public-school orchestra director for five years. Previous conducting posts include Orchestra Director of the Trinity University Symphony Orchestra and Assistant Conductor of the University of Texas at San Antonio Symphony. Lovelace earned a Master of Music in Instrumental Conducting from the University of Texas at San Antonio where he studied conducting with Eugene Dowdy and violin with Stephanie Westney. His undergraduate degree is from Tarleton State University where he studied percussion with Rich Bahner and piano with Leslie Spotz. Before beginning graduate studies at TCU, he was active as an actor and music director at Circle Arts Theatre in New Braunfels, TX. He is an inaugural member of the College of Liberal and Fine Arts Leadership Council of Tarleton State University and a member of Pi Kappa Lambda.
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Andrew Loveland

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Member Bio Andrew Loveland is a Guatemalan-American cellist and conductor from Los Angeles, CA. With over ten years of performing and teaching experience, Mr. Loveland brings a unique experience to his interpretations and performances on the podium. He is particularly committed to expanding access to high-quality orchestral experiences and to building inclusive musical communities that reflect a wide range of socio-economic backgrounds. As a strong proponent of accessible music education, he has served as a conductor for several youth orchestras across two Harmony Project sites in Los Angeles and currently serves as assistant conductor for the Valley Youth Philharmonic Orchestra in Porter Ranch, CA. Mr. Loveland is actively seeking opportunities to collaborate with orchestras that value musical integrity and strong community engagement. Mr. Loveland has participated in conducting workshops in Chicago, San Francisco, Riverside, and Los Angeles. He studied conducting with Henry Shin and has participated in conducting workshops with Donald Schleicher, Edward Dolbashian and Tomasz Golka. Mr. Loveland holds Bachelor and Master of Music degrees from the Bob Cole Conservatory of Music at California State University, Long Beach where he studied cello performance with Joon Sung Jun.
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Mr. James Lowe

Spokane Symphony
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Member Bio Music Director, Spokane Symphony
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Melissa Luck

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Fabio Luisi

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Member Bio GRAMMY® Award-winner Fabio Luisi launched his tenure as Louise W. & Edmund J. Kahn Music Director of the Dallas Symphony Orchestra (DSO) at the start of the 2020/21 season. In January 2021, the DSO and Luisi announced an extension of the Music Director contract through the 2028/29 season. A maestro of major international standing, the Italian conductor embarks on his ninth and final season as General Music Director of the Zurich Opera and his fifth as Principal Conductor of the Danish National Symphony Orchestra. He previously served for six seasons as Principal Conductor of the Metropolitan Opera. Fabio Luisi’s 2020/21 programs in Dallas and for the DSO’s NEXT STAGE platform include revised repertoire for smaller ensembles reflecting the realities and health considerations required for live performance in the age of COVID. Pianist Yefim Bronfman joined Luisi and the DSO for an all-Beethoven program; mezzo-soprano Tamara Mumford and tenor Stuart Skelton appeared as soloists in a chamber version of Mahler’s The Song of the Earth; and a celebration of the operas of Giuseppe Verdi—Luisi has won wide acclaim for his performances of the great Italian composer’s music—featured soprano Angela Meade, mezzo-soprano Jamie Barton and tenor Bryan Hymel. In five spring programs, Luisi will conduct music by Beethoven, Bizet, Mahler (the chamber version of the Fourth Symphony), Richard Strauss (Le Bourgeois Gentilhomme Suite) and concertos with violinists Leonidas Kavakos and DSO Concertmaster Alexander Kerr, the pianist Alessandro Taverna, and the world premiere of Angélica Negrón’s En otro noche, en otro mundo (On Another Night, In Another World). Last season, Luisi led a concert performance of Richard Strauss’s opera Salome and Alpine Symphony, the Dallas premieres of Fountain of Youth by DSO composer-in-residence Julia Wolfe and Aureole by Augusta Read Thomas. Beyond Dallas this season, Luisi will finish his tenure at the Zurich Opera with Verdi’s Simon Boccanegra with Christian Gerhaher in the title role and Jennifer Rowley as Amelia. With the Danish National Symphony Orchestra, where his contract was recently extended until 2026, Luisi will conduct a wide range of repertoire, with a special focus on music by Danish composers of the past and present, especially works by Nielsen and Langgaard as well as Abrahamsen and Sørensen. Luisi’s appearances as guest conductor will include several concerts with the Filarmonica della Scala, Philadelphia Orchestra and NHK Tokyo, as well as concerts with Amsterdam’s Royal Concertgebouw Orchestra that include taking the orchestra to the Mahler Festival in Leipzig in May 2021. Last season, Luisi conducted Richard Strauss’s Arabella in Zurich in a new staging by Robert Carsen. He also returned to the Paris Opera for Aribert Reimann’s Lear and Verdi’s Don Carlo with Roberto Alagna and Michael Fabiano sharing the title role.
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Mr. Ming Luke

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Member Bio With the “energy, creativity and charisma not seen since Leonard Bernstein” and “vibrant,” “mind-blowing,” and “spectacular” conducting, Ming Luke is a versatile conductor that has excited audiences around the world. Highlights include conducting the Bolshoi Orchestra in Moscow, performances of Romeo and Juliet and Cinderella at the Kennedy Center, his English debut at Sadler’s Wells with Birmingham Royal, conducting Dvorak’s Requiem in Dvorak Hall in Prague, recording scores for a Coppola film, and over a hundred performances at the San Francisco War Memorial with San Francisco Ballet. The 20-21 season Luke conducts San Francisco Symphony, Houston Symphony, and at Classical Tahoe with musicians of the Met Opera Orchestra. He has been recognized nationally for his work with music education and has designed and conducted education concerts and programs with organizations such as the Berkeley Symphony, Houston Symphony, Sacramento Philharmonic, San Francisco Opera and others. Luke has soloed as a pianist with Pittsburgh Symphony, Sacramento Philharmonic, and San Francisco Ballet, and currently serves as Music Director for the Merced Symphony and Berkeley Community Chorus and Orchestra; Music Director and Principal Conductor of the Nashville Ballet, Associate Conductor for the Berkeley Symphony; and Principal Guest Conductor for the San Francisco Ballet. Long time critic Allan Ulrich of the San Francisco Chronicle said, “Ming Luke delivered the best live theater performance I’ve ever heard of [Prokofiev’s Romeo and Juliet]” and in 2016 Luke’s War Requiem was named best choral performance of 2016 in the San Francisco Bay Area. Passionate about collaboration with dance companies and deepening the impact of movement to live music, Luke has guested with Boston Ballet, New York City Ballet Orchestra, Nashville Symphony/Ballet, San Diego Ballet and others and conducted l’Orchestre Prométhée in Paris as part of San Francisco Ballet’s residency with Les Etés de la Danse. Famed dancer Natalia Makarova stated, “Ming has a mixture of pure musicality and a sensitivity to needs of the dancers, which are such rare qualities.” Luke has written, arranged, and performed over 150 education concerts with the Berkeley Symphony and has served on grant panels for the National Endowment of the Arts and the Grants and Cultural Committee of the Sacramento Metropolitan Arts Commission. An exciting pops conductor, Luke has created and conducted a variety of pops concerts in many venues, from baseball stadiums, to picnics in the park with over 4,000 people in attendance, traditional concert halls and recording for Major League Baseball. Ming Luke holds a Master of Fine Arts in Conducting from Carnegie Mellon University and a Bachelor of Music in Music Education and Piano Pedagogy from Westminster Choir College of Rider University.
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Michael Luxner

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Member Bio Michael Luxner retired in 2016. His conducting career included Music Directorships of regional orchestras in Georgia, Kentucky, and Illinois, freelance work in ballet, music theater, and contemporary ensembles, and guest engagements in Italy, France, and Egypt. Dr. Luxner studied conducting principally with Charles Bruck at the Monteux School in Maine and in Paris, and received his formal education at the Eastman School. He is a former officer and Board member of the International Conductors Guild.
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