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International Conductors Guild
Results 581 - 590 of 955
Ms. Hilarie Clark Moore
Cheshire Symphony Orchestra
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Member Bio Hilarie Clark Moore's curiosity and desire to learn everything she can about music - its history, the theory, and performance practices - has motivated her to approach music from all angles. Her education blends both music academia and performance. At the University of Connecticut, she received her Bachelor of Music Degree on French horn performance in 1985. In 1991, she earned her Ph.D. in music theory from Yale University. As a conductor, she directs the Chamber Music by the River, the New London Community Orchestra, and the Cheshire Symphony Orchestra. In the past, she has directed the SUNY Orange Community Orchestra and the SUNY Orange Chamber Ensemble. She has also served as assistant conductor of the Hudson Opera Theatre, conducted Sweeney Todd for SummerStar Theatre, and has been a guest conductor for Cortlandt Chamber Orchestra and the Willamantic Orchestra. For more information, go to www.hilarieclarkmoore.com.
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Mr. Philip Morehead
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Member Bio A veteran of over thirty years as pianist and conductor at the renowned Lyric Opera of Chicago, Philip Morehead has extensive experience in the operatic repertory. He has conducted a widely varied list of concert works and contemporary music and performed in as varied a repertory of chamber music.
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Alyce Mott
VHSource, LLC
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Member Bio Alyce Mott is proud to have assembled this talented roster and showcase the exquisite music of Victor Herbert. She became a Herbert librettist in 1995 with Babes In Toyland in Avery Fisher Hall (Lincoln Center) for the Little Orchestra Society of New York and now has more than a dozen new Herbert librettos to her credit. Mott became a Herbert director with the composer’s Fortune Teller in 1998 in Alice Tully Hall for the Little Orchestra Society and a Herbert publisher (on-line digital original performance materials) in 2008 with the founding of VHSource, LLC. She enjoyed a fifteen year Herbert collaboration with the talented conductor, the late Dino Anagnost. Mott became a NYC producer with the highly successful first full reading in 100 years of Victor Herbert’s grand opera Natoma with full union orchestra. That event launched the Victor Herbert Renaissance Project LIVE! She remains the only producer to have presented both of Herbert’s operas in New York City: Natoma in 2014 and Madeleine in 2020. A member of the Dramatist Guild, Society of Directors and Choreographers, Actors Equity Association, and the Screen Actors Guild, Ms. Mott holds degrees from Bowling Green State University, Siena Heights University (MI) and the University of Michigan.
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Dr. Wendy Moy
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Member Bio Wendy K. Moy is a dual assistant professor of music education in the College of Visual and Performing Arts and the School of Education at Syracuse University. Moy teaches undergraduate and graduate coursework in music education, conducting, rehearsal techniques, and choral literature, and directs the Concert Choir in the Setnor School of Music. Prior to joining Syracuse University, Moy was an associate professor of music at Connecticut College from 2013-2020, where she was the director of choral activities and head of music education. From 2012-2013, she was an instructor at Tacoma Community College, serving as the director of choral activities and teaching courses in music education. Before moving to the East Coast, Moy conducted the University of Washington Women’s Chorus and the Seattle Pacific University Chamber Singers. She also taught orchestra, choir, and jazz choir at the secondary level in the Edmonds School District from 1999-2010. Her ensembles were invited to perform at the Northwest Music Educators and Washington Music Educators Association Conferences. Moy is the co-founder and co-artistic director of the professional chamber ensemble, Chorosynthesis Singers. They recently released on the Centaur Records label Empowering Silenced Voices, a 2-CD collection of new music on themes of social consciousness and established the Empowering Silenced Voices Database for Socially Conscious Choral Music. A strong advocate for collaboration and new music, Moy has premiered and commissioned numerous new works. She also sings soprano in Chorosynthesis Singers and 21V. Moy has also served as the director of the Eastern Connecticut Symphony Chorus and the artistic director of the Hartford Gay Men’s Chorus. A violinist since age four, she was a violin coach, chamber music coordinator, and assistant conductor with the Cascade Youth Symphony Organization. Moy studied orchestral conducting with Eric Hanson and Kenneth Kiesler and made her debut with the Eastern Connecticut Symphony Orchestra and Chorus. Moy is a frequent clinician and guest conductor with ensembles of all levels. Passionate about mentoring and inspiring young musicians, she has conducted the Rhode Island All-State Senior High School Chorus, Massachusetts All State Choir, New York Zone 2 Senior High Area All State Treble Choir, Connecticut Eastern Region High School Honor Choir, Heartland High School Honor Choir, Northshore Junior High Honor Orchestra, and Edmonds Elementary Honor Choir. Selected as an American Choral Directors Association (ACDA) International Conducting Fellow, Moy made her international conducting debut with the Coral da Universidade Federal da Gazzi de Sá at the Festival Paraibano de Coros in João Pessoa, Brazil. She soon followed this with her Asia conducting debut in Shenzhen, China. In 2024, Moy returned to João Pessoa as the Festival Paraibano de Coros headliner. She is looking forward to her Carnegie Hall conducting debut in May 2025. Moy's research focuses on the culture of singing communities, cultivating social capital in successful choral organizations, and fostering belonging through socially conscious music. She has presented her research at national conferences sponsored by the ACDA; Chorus America, National Collegiate Choral Organization Conference; College Music Society; GALA Choruses; National Association for Music Education (NAfME); and the Society for Education, Music and Psychology Research. Oxford University Press published her ethnographic study on the Seattle Men’s Chorus in "Together in Music: Coordination, Expression, Participation." Routledge will soon release her book "Resurrecting Song: A Pathway Forward for the Choral Art in the Time of Pandemics." She writes for the NAfME Music in a Minuet blog and has been interviewed for featured articles in the Choral Journal, The Voice of Chorus America, the Classical Singer Magazine, and Teaching Music Journal on entrepreneurship and culture-building in the choral arts. Moy's honors include being selected to participate in the National Endowment for the Humanities Bach Institute in Germany, the Westminster Chamber Choir with Joe Miller, the Tallis Scholar Summer School with Peter Phillips, the Carnegie Hall Choral Institute/Transient Glory Symposium as a conducting associate with Francisco Nuñez, and the Yale/Norfolk Chamber Choir under the direction of Simon Carrington. She was named the third place winner of The American Prize in Choral Conducting, professional division in 2017. Under her co-direction, Chorosynthesis Singers was named the second place winner of The American Prize in Choral Performance, professional division, with a special citation for Extraordinary Commitment to New Music in 2018. Moy serves on the ACDA Standing Committee on International Activities and the New York ACDA Research and Resource Board as research co-chair. She evaluates grants for the National Endowment for the Arts and Chorus America.
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